A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 168
... ourselves with the reading of some sensational romance of adventure , where images follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with a ...
... ourselves with the reading of some sensational romance of adventure , where images follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with a ...
Pagina 222
... ourselves , and at the same time we think ourselves indefinable . Our inner world seems incommunicable . The romantic revolution at the end of the eighteenth century parodied the classic procedure when it patterned thought after feeling ...
... ourselves , and at the same time we think ourselves indefinable . Our inner world seems incommunicable . The romantic revolution at the end of the eighteenth century parodied the classic procedure when it patterned thought after feeling ...
Pagina 306
... ourselves , and cease thinking about ourselves exactly in proportion as we are thinking of the mountain's shape . What becomes therefore of our awareness of raising or lifting or rising ? What can become of it ( so long as it continues ...
... ourselves , and cease thinking about ourselves exactly in proportion as we are thinking of the mountain's shape . What becomes therefore of our awareness of raising or lifting or rising ? What can become of it ( so long as it continues ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole