A Modern Book of Esthetics: An Anthology |
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Pagina 269
Now I venture to say that no one who has a real understanding of the art of painting attaches any importance to what ... well when he painted a carcass hanging up in a butcher's shop as when he painted the Crucifixion or his mistress .
Now I venture to say that no one who has a real understanding of the art of painting attaches any importance to what ... well when he painted a carcass hanging up in a butcher's shop as when he painted the Crucifixion or his mistress .
Pagina 370
The painter alone can succeed in holding that wave in its wonderful swing on his canvas , and his golden frame can separate that painted wave forever from the rest of the universe . He has created , then , a thing ...
The painter alone can succeed in holding that wave in its wonderful swing on his canvas , and his golden frame can separate that painted wave forever from the rest of the universe . He has created , then , a thing ...
Pagina 486
( A discussion of the limitations of formalism when applied to literature - a supplement to the selection printed in the present volume . ) Landmarks in Nineteenth Century Painting . London , 1929. An Account of French Painting .
( A discussion of the limitations of formalism when applied to literature - a supplement to the selection printed in the present volume . ) Landmarks in Nineteenth Century Painting . London , 1929. An Account of French Painting .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole