A Modern Book of Esthetics: An Anthology |
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Pagina 269
Now I venture to say that no one who has a real understanding of the art of
painting attaches any importance to what we call ... Rembrandt expressed his
profoundest feelings just as well when he painted a carcass hanging up in a
butcher ' s ...
Now I venture to say that no one who has a real understanding of the art of
painting attaches any importance to what we call ... Rembrandt expressed his
profoundest feelings just as well when he painted a carcass hanging up in a
butcher ' s ...
Pagina 370
But , of course , the painter must really succeed , the frame alone cannot isolate
that bit of experience . If his painting is nothing but a colored photograph which
makes us ask , what the name of that shore is , whether there is good bathing and
...
But , of course , the painter must really succeed , the frame alone cannot isolate
that bit of experience . If his painting is nothing but a colored photograph which
makes us ask , what the name of that shore is , whether there is good bathing and
...
Pagina 486
( A discussion of the limitations of formalism when applied to literature - a
supplement to the selection printed in the present volume . ) Landmarks in
Nineteenth Century Painting . London , 1929 . An Account of French Painting .
London , 1932 ...
( A discussion of the limitations of formalism when applied to literature - a
supplement to the selection printed in the present volume . ) Landmarks in
Nineteenth Century Painting . London , 1929 . An Account of French Painting .
London , 1932 ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology A Modern Book of Esthetics: An Anthology, Melvin Miller Rader |
| Autore | Melvin Miller Rader |
| Editore | Holt, 1951 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 24 mar 2008 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |