A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 266
... particular person or thing or idea . But those particular notes have become associated with many other things in our minds , so that when they are played we no longer can fix our minds on the form , we are instantly invaded by the ...
... particular person or thing or idea . But those particular notes have become associated with many other things in our minds , so that when they are played we no longer can fix our minds on the form , we are instantly invaded by the ...
Pagina 281
... particular formal value , the resulting emotion depends on the particular shape of the object and not on the artist . That is true , to a certain extent . It is difficult to alter the emotional value of the lines of a very stout woman ...
... particular formal value , the resulting emotion depends on the particular shape of the object and not on the artist . That is true , to a certain extent . It is difficult to alter the emotional value of the lines of a very stout woman ...
Pagina 308
... particular present acts of raising or rising involved in our looking at that mountain , and it is this general idea of rising , i.e. , of upward move- ment , which gets transferred to the mountain along with our own particular present ...
... particular present acts of raising or rising involved in our looking at that mountain , and it is this general idea of rising , i.e. , of upward move- ment , which gets transferred to the mountain along with our own particular present ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words