A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 192
... patterns , or treat the same pattern differently , in wood - carving , say , and clay - modeling , and wrought - iron work ? If you can answer this question thoroughly , then , I am convinced , you have the secret of the classification ...
... patterns , or treat the same pattern differently , in wood - carving , say , and clay - modeling , and wrought - iron work ? If you can answer this question thoroughly , then , I am convinced , you have the secret of the classification ...
Pagina 195
... pattern , and of representation through the meanings of language , exactly as sculpture and painting deal at once and in the same vision both with formal patterns and with significant shapes . That language is a physical fact with its ...
... pattern , and of representation through the meanings of language , exactly as sculpture and painting deal at once and in the same vision both with formal patterns and with significant shapes . That language is a physical fact with its ...
Pagina 275
... pattern of lines . What is the emotional value of this abstract pattern ? That would be hard to say . It is possible to make a draw- ing of such an underlying pattern without suggesting the silhouette of a human figure , and any one may ...
... pattern of lines . What is the emotional value of this abstract pattern ? That would be hard to say . It is possible to make a draw- ing of such an underlying pattern without suggesting the silhouette of a human figure , and any one may ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words