A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 136
... perceive . It exists in perception , and cannot exist otherwise . A beauty not perceived is a pleasure not felt , and a contradiction . But modern philos- ophy has taught us to say the same thing of every element of the perceived world ...
... perceive . It exists in perception , and cannot exist otherwise . A beauty not perceived is a pleasure not felt , and a contradiction . But modern philos- ophy has taught us to say the same thing of every element of the perceived world ...
Pagina 294
... perceived figure . Secondly , the object of esthetic enjoy- ment is this sensuously perceived , this observed figure ; not the figure as such , however , but the figure so far as I feel and experience it in myself , this strong , proud ...
... perceived figure . Secondly , the object of esthetic enjoy- ment is this sensuously perceived , this observed figure ; not the figure as such , however , but the figure so far as I feel and experience it in myself , this strong , proud ...
Pagina 458
... perceived connection with chosen consequences . To entertain , choose and accomplish anything as an end or consequence is to be committed to a like love and care for whatever events and acts are its means . Similarly , conse- quences ...
... perceived connection with chosen consequences . To entertain , choose and accomplish anything as an end or consequence is to be committed to a like love and care for whatever events and acts are its means . Similarly , conse- quences ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words