A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 62
... perhaps seem preferable - it is far more obvi- ous - e.g . , the distinction which decides whether a desire for ... perhaps with Rubens ; happy , as perhaps with Hafiz ; bright and gracious , and shedding a ray of glory over all things ...
... perhaps seem preferable - it is far more obvi- ous - e.g . , the distinction which decides whether a desire for ... perhaps with Rubens ; happy , as perhaps with Hafiz ; bright and gracious , and shedding a ray of glory over all things ...
Pagina 231
... Perhaps no one has opposed the theories of Bell and Fry more cogently than the American archeologist , RHYS CAR- PENTER ( 1889- ) , in the selection here reproduced . It is his contention that responsiveness to the values of repre ...
... Perhaps no one has opposed the theories of Bell and Fry more cogently than the American archeologist , RHYS CAR- PENTER ( 1889- ) , in the selection here reproduced . It is his contention that responsiveness to the values of repre ...
Pagina 346
... Perhaps it is not , but the reasons which may lead us to such a negation are long and difficult . Perhaps it is better then to leave the theme intact . Moreover , it really does not matter for the subject we are now talking about . Even ...
... Perhaps it is not , but the reasons which may lead us to such a negation are long and difficult . Perhaps it is better then to leave the theme intact . Moreover , it really does not matter for the subject we are now talking about . Even ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words