A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 101
... persons , or phenomena , and others are infected by the same feelings of admiration , devotion , fear , respect , or love ... person , with the object of joining another or others to himself in one and the same feeling , expresses that ...
... persons , or phenomena , and others are infected by the same feelings of admiration , devotion , fear , respect , or love ... person , with the object of joining another or others to himself in one and the same feeling , expresses that ...
Pagina 190
... person is never ridiculous except through some mental attribute resembling absent- mindedness , through something that lives upon him with- out forming part of his organism , after the fashion of a parasite ; that is the reason this ...
... person is never ridiculous except through some mental attribute resembling absent- mindedness , through something that lives upon him with- out forming part of his organism , after the fashion of a parasite ; that is the reason this ...
Pagina 325
... person to person to which this limit is subject . But it is safe to infer that , in art prac- tice , explicit references to organic affections , to the ma- terial existence of the body , especially to sexual matters , lies normally ...
... person to person to which this limit is subject . But it is safe to infer that , in art prac- tice , explicit references to organic affections , to the ma- terial existence of the body , especially to sexual matters , lies normally ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words