A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 160
... physical phenomena with art . And if it be asked why art cannot be a physical fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which ...
... physical phenomena with art . And if it be asked why art cannot be a physical fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which ...
Pagina 161
... physical facts reveal themselves , by their internal logic and by common consent , not as reality , but as a construction of our intellect for the pur- poses of science . Consequently , the question whether art be a physical fact must ...
... physical facts reveal themselves , by their internal logic and by common consent , not as reality , but as a construction of our intellect for the pur- poses of science . Consequently , the question whether art be a physical fact must ...
Pagina 198
... physical side of language . We glance at its words and do not sound them . And Shel- ley , as we saw , says something very like that . But at the very beginning of all this notion , as we said , there is a blunder . Things , it is true ...
... physical side of language . We glance at its words and do not sound them . And Shel- ley , as we saw , says something very like that . But at the very beginning of all this notion , as we said , there is a blunder . Things , it is true ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words