A modern book of esthetics: an anthology |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 160
And if it be asked why art cannot be a physical fact, we must reply, in the first
place, that physical facts do not possess reality, and that art, to which so many
devote their whole lives and which fills all with a divine joy, is supremely real;
thus it ...
And if it be asked why art cannot be a physical fact, we must reply, in the first
place, that physical facts do not possess reality, and that art, to which so many
devote their whole lives and which fills all with a divine joy, is supremely real;
thus it ...
Pagina 161
with their physics, when they conceive physical phenomena as products of
principles that are beyond experience, of atoms or of ether, or as the
manifestation of an Unknowable: besides, the matter itself of the materialists is a
super- material ...
with their physics, when they conceive physical phenomena as products of
principles that are beyond experience, of atoms or of ether, or as the
manifestation of an Unknowable: besides, the matter itself of the materialists is a
super- material ...
Pagina 198
It is rather a natural thing to say about poetry, because we discount the physical
side of language. We glance at its words and do not sound them. And Shelley, as
we saw, says something very like that. But at the very beginning of all this notion,
...
It is rather a natural thing to say about poetry, because we discount the physical
side of language. We glance at its words and do not sound them. And Shelley, as
we saw, says something very like that. But at the very beginning of all this notion,
...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words