A Modern Book of Esthetics: An Anthology |
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Pagina 31
There is not the slightest reason why this activity should be considered different , psychologically speaking , from the viewing of pictures on the part of adults . The only difference is this , that the higher art of painting has a ...
There is not the slightest reason why this activity should be considered different , psychologically speaking , from the viewing of pictures on the part of adults . The only difference is this , that the higher art of painting has a ...
Pagina 196
form , and embodied feeling in a picture . And it is only an illusion to suppose that because you have significant sentences in poetry , therefore you are dealing with meanings which remain the same outside the poem , any more than a ...
form , and embodied feeling in a picture . And it is only an illusion to suppose that because you have significant sentences in poetry , therefore you are dealing with meanings which remain the same outside the poem , any more than a ...
Pagina 350
A picture or a poem where no " lived " forms were remaining would be unintelligible , that is to say , would not be anything , as a speech would be nothing if all 350 PSYCHOLOGICAL DETACHMENT.
A picture or a poem where no " lived " forms were remaining would be unintelligible , that is to say , would not be anything , as a speech would be nothing if all 350 PSYCHOLOGICAL DETACHMENT.
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole