A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 6
... play mood . They must be interpreted as analogous to weeping at a tragedy or dur- ing the performance of sad music . A child that plays fervidly is not disturbed in his enjoyment of play by fail- 6 ure . The joy in play is always greater ...
... play mood . They must be interpreted as analogous to weeping at a tragedy or dur- ing the performance of sad music . A child that plays fervidly is not disturbed in his enjoyment of play by fail- 6 ure . The joy in play is always greater ...
Pagina 7
... play possible or to increase its liveliness . The enjoyment does not consist in achieving the goal , for the latter can be reached by only one of the players - but in the play as such . Play for the player is an end in itself . Strange ...
... play possible or to increase its liveliness . The enjoyment does not consist in achieving the goal , for the latter can be reached by only one of the players - but in the play as such . Play for the player is an end in itself . Strange ...
Pagina 10
... Play , as we shall see , does not indeed exclude illusion- activity but does not necessarily presuppose it . Not all play is art , but all art is illusion play . This means that art belongs to a definite type of play , namely , to the play ...
... Play , as we shall see , does not indeed exclude illusion- activity but does not necessarily presuppose it . Not all play is art , but all art is illusion play . This means that art belongs to a definite type of play , namely , to the play ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words