A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 6
... play mood . They must be interpreted as analogous to weeping at a tragedy or during the performance of sad music . A child that plays fervidly is not disturbed in his enjoyment of play by fail6 ure . The joy in play is always greater than.
... play mood . They must be interpreted as analogous to weeping at a tragedy or during the performance of sad music . A child that plays fervidly is not disturbed in his enjoyment of play by fail6 ure . The joy in play is always greater than.
Pagina 7
... play possible or to increase its liveliness . The enjoyment does not consist in achieving the goal , for the latter can be reached by only one of the players - but in the play as such . Play for the player is an end in itself . Strange ...
... play possible or to increase its liveliness . The enjoyment does not consist in achieving the goal , for the latter can be reached by only one of the players - but in the play as such . Play for the player is an end in itself . Strange ...
Pagina 10
... Play , as we shall see , does not indeed exclude illusionactivity but does not necessarily presuppose it . Not all play is art , but all art is illusion play . This means that art belongs to a definite type of play , namely , to the play ...
... Play , as we shall see , does not indeed exclude illusionactivity but does not necessarily presuppose it . Not all play is art , but all art is illusion play . This means that art belongs to a definite type of play , namely , to the play ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole