A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 6
... play mood . They must be interpreted as analogous to weeping at a tragedy or dur- ing the performance of sad music . A child that plays fervidly is not disturbed in his enjoyment of play by fail- 6 ure . The joy in play is always greater ...
... play mood . They must be interpreted as analogous to weeping at a tragedy or dur- ing the performance of sad music . A child that plays fervidly is not disturbed in his enjoyment of play by fail- 6 ure . The joy in play is always greater ...
Pagina 10
... Play , as we shall see , does not indeed exclude illusion- activity but does not necessarily presuppose it . Not all play is art , but all art is illusion play . This means that art belongs to a definite type of play , namely , to the play ...
... Play , as we shall see , does not indeed exclude illusion- activity but does not necessarily presuppose it . Not all play is art , but all art is illusion play . This means that art belongs to a definite type of play , namely , to the play ...
Pagina 20
... Play is en- joyed just as much by spectators as art . The word spec- tacle ( Schauspiel = spectacle play or show play ) alone proves that the feeling for this essential relationship is a universal one . Play and art become through it ...
... Play is en- joyed just as much by spectators as art . The word spec- tacle ( Schauspiel = spectacle play or show play ) alone proves that the feeling for this essential relationship is a universal one . Play and art become through it ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words