A Modern Book of Esthetics: An Anthology |
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Pagina 130
and esthetic pleasures be determined by the permanence of those which are called esthetic . ... From childhood to mature age , we are found deploring the loss at one moment of a pleasure we were but lately experiencing ; the ephemeral ...
and esthetic pleasures be determined by the permanence of those which are called esthetic . ... From childhood to mature age , we are found deploring the loss at one moment of a pleasure we were but lately experiencing ; the ephemeral ...
Pagina 139
Most of the pleasures which objects cause are easily distinguished and separated from the perception of the object ... The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is ...
Most of the pleasures which objects cause are easily distinguished and separated from the perception of the object ... The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is ...
Pagina 148
Readers of Mr. Marshall's Pain , Pleasure , and Esthetics will remember his theory concerning the physiological basis of pleasure . Pleasure , he thinks , is never a separable datum but always a quality attaching to a sensation that ...
Readers of Mr. Marshall's Pain , Pleasure , and Esthetics will remember his theory concerning the physiological basis of pleasure . Pleasure , he thinks , is never a separable datum but always a quality attaching to a sensation that ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole