A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 93
Pagina 130
... pleasure in various ways , although experience and theory both deny the possibility of there being any permanency of any specific pleasure . In the first place we should find , if we stopped to study the nature of pleasure , that the ...
... pleasure in various ways , although experience and theory both deny the possibility of there being any permanency of any specific pleasure . In the first place we should find , if we stopped to study the nature of pleasure , that the ...
Pagina 139
... pleasure arises . The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is separated in time from the perception , or it is localized in a different organ , and consequently is ...
... pleasure arises . The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is separated in time from the perception , or it is localized in a different organ , and consequently is ...
Pagina 148
... Pleasure , and Esthetics will remember his theory concerning the physiological basis of pleasure . Pleasure , he thinks , is never a separable datum but always a quality attaching to a sensation that yields other qualities as well ...
... Pleasure , and Esthetics will remember his theory concerning the physiological basis of pleasure . Pleasure , he thinks , is never a separable datum but always a quality attaching to a sensation that yields other qualities as well ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole