A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 130
... pleasure in various ways , although experience and theory both deny the possibility of there being any permanency of any specific pleasure . In the first place we should find , if we stopped to study the nature of pleasure , that the ...
... pleasure in various ways , although experience and theory both deny the possibility of there being any permanency of any specific pleasure . In the first place we should find , if we stopped to study the nature of pleasure , that the ...
Pagina 139
... pleasure arises . The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is separated in time from the perception , or it is localized in a different organ , and consequently is ...
... pleasure arises . The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is separated in time from the perception , or it is localized in a different organ , and consequently is ...
Pagina 148
... Pleasure , and Esthetics will remember his theory concerning the physiological basis of pleasure . Pleasure , he thinks , is never a separable datum but always a quality attaching to a sensation that yields other qualities as well ...
... Pleasure , and Esthetics will remember his theory concerning the physiological basis of pleasure . Pleasure , he thinks , is never a separable datum but always a quality attaching to a sensation that yields other qualities as well ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words