A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina xxv
... poem with questions , and its interest does not depend on answers given elsewhere ; the asking of any questions does not constitute the esthetic apprehension , but on the contrary , like any reference to anything outside the poem , song ...
... poem with questions , and its interest does not depend on answers given elsewhere ; the asking of any questions does not constitute the esthetic apprehension , but on the contrary , like any reference to anything outside the poem , song ...
Pagina 161
... poem and ceasing to enjoy it , we set ourselves , for ex- ample , to count the words of which the poem is com- posed and to divide them into syllables and letters ; or , dis- regarding the esthetic effect of a statue , we weigh and ...
... poem and ceasing to enjoy it , we set ourselves , for ex- ample , to count the words of which the poem is com- posed and to divide them into syllables and letters ; or , dis- regarding the esthetic effect of a statue , we weigh and ...
Pagina 463
... poem , as well as in making a vase or a temple , a perception is also employed as means for something beyond itself ... poems alike . The difference between the ugliness of a mechanically conceived and ex- ecuted utensil and of a ...
... poem , as well as in making a vase or a temple , a perception is also employed as means for something beyond itself ... poems alike . The difference between the ugliness of a mechanically conceived and ex- ecuted utensil and of a ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words