A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 187
... poet will never think of grouping around the chief character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be ...
... poet will never think of grouping around the chief character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be ...
Pagina 188
... poet . We find some of the great poets have lived a retiring , homely sort of life , without having a chance of witnessing around them an outburst of the passions they have so faith- fully depicted . But , supposing even they had ...
... poet . We find some of the great poets have lived a retiring , homely sort of life , without having a chance of witnessing around them an outburst of the passions they have so faith- fully depicted . But , supposing even they had ...
Pagina 189
... Poetic imagination is but a fuller view of reality . If the characters created by a poet give us the impression of life , it is only because they are the poet him- self - a multiplication or division of the poet - the poet plumbing the ...
... Poetic imagination is but a fuller view of reality . If the characters created by a poet give us the impression of life , it is only because they are the poet him- self - a multiplication or division of the poet - the poet plumbing the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words