A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 78
Emerging from the flux of impression and mood , the esthetic experience appears dissociated against the background of the mind , and becomes possessed , like the phenomenal objects of outer experience , with the semblance of independent ...
Emerging from the flux of impression and mood , the esthetic experience appears dissociated against the background of the mind , and becomes possessed , like the phenomenal objects of outer experience , with the semblance of independent ...
Pagina 174
Intuitive activity possesses intuitions to the extent that it expresses them . ... How can we really possess an intuition of a geometrical figure , unless we possess so accurate an image of it as to be able to trace it immediately upon ...
Intuitive activity possesses intuitions to the extent that it expresses them . ... How can we really possess an intuition of a geometrical figure , unless we possess so accurate an image of it as to be able to trace it immediately upon ...
Pagina 177
How little too does a painter possess of the intuitions of a poet ! And how little does one painter possess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations .
How little too does a painter possess of the intuitions of a poet ! And how little does one painter possess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole