A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 78
... possessed , like the phenomenal objects of outer experience , with the semblance of independent reality . The failure ... possess my feeling for reflection , for understanding . Thus is art intuition , and through art man obtains , as he ...
... possessed , like the phenomenal objects of outer experience , with the semblance of independent reality . The failure ... possess my feeling for reflection , for understanding . Thus is art intuition , and through art man obtains , as he ...
Pagina 174
... possesses intuitions to the extent that it expresses them . Should this proposition sound paradoxical , that is partly ... possess so accurate an image of it as to be able to trace it immediately upon paper or on the blackboard ? How can ...
... possesses intuitions to the extent that it expresses them . Should this proposition sound paradoxical , that is partly ... possess so accurate an image of it as to be able to trace it immediately upon paper or on the blackboard ? How can ...
Pagina 177
... possess of the intuitions of a poet ! And how little does one painter possess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations . Beyond these are only impressions ...
... possess of the intuitions of a poet ! And how little does one painter possess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations . Beyond these are only impressions ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole