A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 78
... possessed , like the phenomenal objects of outer experience , with the sem- blance of independent reality . The ... possess my feeling for reflection , for understanding . Thus is art intuition , and through art man obtains , as he ...
... possessed , like the phenomenal objects of outer experience , with the sem- blance of independent reality . The ... possess my feeling for reflection , for understanding . Thus is art intuition , and through art man obtains , as he ...
Pagina 174
... possesses intuitions to the extent that it expresses them . Should this proposition sound paradox- ical , that is ... possess so accurate an image of it as to be able to trace it imme- diately upon paper or on the blackboard ? How can ...
... possesses intuitions to the extent that it expresses them . Should this proposition sound paradox- ical , that is ... possess so accurate an image of it as to be able to trace it imme- diately upon paper or on the blackboard ? How can ...
Pagina 177
... possess the most universal dispositions and energies of human nature in so lofty a degree ! How little too does a painter possess of the intuitions of a poet ! And how little does one painter pos- sess those of another painter ...
... possess the most universal dispositions and energies of human nature in so lofty a degree ! How little too does a painter possess of the intuitions of a poet ! And how little does one painter pos- sess those of another painter ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words