A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 161
... possible to construct art physically . And this is certainly possible , for we indeed carry it out always , when , turning from the sense of a poem and ceasing to enjoy it , we set ourselves , for example , to count the words of which ...
... possible to construct art physically . And this is certainly possible , for we indeed carry it out always , when , turning from the sense of a poem and ceasing to enjoy it , we set ourselves , for example , to count the words of which ...
Pagina 226
An Anthology Melvin Miller Rader. No tragedy , no comedy , no wisdom is possible unless men are healthy , or becoming ... possible . " -The Symposium , January 1930 CHAPTER VII THEORIES OF FORM 1. DEWITT H. PARKER : 226 INTELLECTUALIST ...
An Anthology Melvin Miller Rader. No tragedy , no comedy , no wisdom is possible unless men are healthy , or becoming ... possible . " -The Symposium , January 1930 CHAPTER VII THEORIES OF FORM 1. DEWITT H. PARKER : 226 INTELLECTUALIST ...
Pagina 367
... possible truth and that every presentation of objects which is not based on scientific knowledge carries us away from the objective facts . No , it is science which veils the real thing which we want to know , and turns our attention to ...
... possible truth and that every presentation of objects which is not based on scientific knowledge carries us away from the objective facts . No , it is science which veils the real thing which we want to know , and turns our attention to ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole