A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 17
... possible and increases the esthetic pleasure , which is guaranteed by other factors . Expectation is not peculiar to play and art alone . It appears frequently in other connections . In itself it may be expectation of something ...
... possible and increases the esthetic pleasure , which is guaranteed by other factors . Expectation is not peculiar to play and art alone . It appears frequently in other connections . In itself it may be expectation of something ...
Pagina 360
... possible point of tone of functional efficiency , of enhanced life.'1 The only possible combina- tion of these at first thought contradictory concepts , oppos- ing states , is in the condition of equilibrium , or balance of forces ...
... possible point of tone of functional efficiency , of enhanced life.'1 The only possible combina- tion of these at first thought contradictory concepts , oppos- ing states , is in the condition of equilibrium , or balance of forces ...
Pagina 367
... possible truth and that every presentation of objects which is not based on scientific knowledge carries us away from the objective facts . No , it is science which veils the real thing which we want to know , and turns our attention to ...
... possible truth and that every presentation of objects which is not based on scientific knowledge carries us away from the objective facts . No , it is science which veils the real thing which we want to know , and turns our attention to ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words