A Modern Book of Esthetics: An Anthology |
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Pagina 161
And this is certainly possible , for we indeed carry it out always , when , turning
from the sense of a poem and ceasing to enjoy it , we set ourselves , for example
, to count the words of which the poem is composed and to divide them into ...
And this is certainly possible , for we indeed carry it out always , when , turning
from the sense of a poem and ceasing to enjoy it , we set ourselves , for example
, to count the words of which the poem is composed and to divide them into ...
Pagina 226
No tragedy , no comedy , no wisdom is possible unless men are healthy , or
becoming healthy , or are haunted by the mirage of health . What is there more
essentially classic , in art or in life , than the reactions to our own time , than the
quick ...
No tragedy , no comedy , no wisdom is possible unless men are healthy , or
becoming healthy , or are haunted by the mirage of health . What is there more
essentially classic , in art or in life , than the reactions to our own time , than the
quick ...
Pagina 367
How vain sounds now the claim that the truth of science is the only possible truth
and that every presentation of objects which is not based on scientific knowledge
carries us away from the objective facts . No , it is science which veils the real ...
How vain sounds now the claim that the truth of science is the only possible truth
and that every presentation of objects which is not based on scientific knowledge
carries us away from the objective facts . No , it is science which veils the real ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
Copyright | |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole