A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina iii
... present discussion , since no one alive has expressed so well the socialistic ideal of art . I am greatly indebted to Professors Carlos Garcia - Prada and Max Schertel for their work as translators ; to Profes- sors William Savery and ...
... present discussion , since no one alive has expressed so well the socialistic ideal of art . I am greatly indebted to Professors Carlos Garcia - Prada and Max Schertel for their work as translators ; to Profes- sors William Savery and ...
Pagina xxx
... present thinking : di- vision of everything into nature and experience , of experi- ence into practice and theory , art and science , of art into useful and fine , menial and free . " 16 Without arguing the question , we might simply ...
... present thinking : di- vision of everything into nature and experience , of experi- ence into practice and theory , art and science , of art into useful and fine , menial and free . " 16 Without arguing the question , we might simply ...
Pagina 396
... present - day state of West Europe , and therefore that- The future of the West is not a limitless tending upwards and onwards for all time towards our present ideals , but a single phenomenon of history , strictly limited and defined ...
... present - day state of West Europe , and therefore that- The future of the West is not a limitless tending upwards and onwards for all time towards our present ideals , but a single phenomenon of history , strictly limited and defined ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words