A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 92
... produced admir- able works in the past , and may produce them again now or in the future , on condition that its inspiration be sought in actual and existing life , and not in the imitation of works sanctified by time . We must ...
... produced admir- able works in the past , and may produce them again now or in the future , on condition that its inspiration be sought in actual and existing life , and not in the imitation of works sanctified by time . We must ...
Pagina 225
... produce classic forms which will conform so closely to life that any of the exigencies of reason which might not ... produced by debased romanticism in its reaction against genuine romanticism . For a fundamental aim of classicism is the ...
... produce classic forms which will conform so closely to life that any of the exigencies of reason which might not ... produced by debased romanticism in its reaction against genuine romanticism . For a fundamental aim of classicism is the ...
Pagina 316
... produce feelings of peculiar anxiety , fears of invisible dangers , strains of watching and listening for distance ... producing the impression as if you could touch some far - off siren by merely putting out your hand 316 PSYCHOLOGICAL ...
... produce feelings of peculiar anxiety , fears of invisible dangers , strains of watching and listening for distance ... producing the impression as if you could touch some far - off siren by merely putting out your hand 316 PSYCHOLOGICAL ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words