A Modern Book of Esthetics: An Anthology |
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Pagina 413
craft decoration , in the willing production of superfluity , contributed by the worker
out of his own delight in the work . The elegance of a mathematical equation , the
inevitability of a series of physical inter - relations , the naked quality of the ...
craft decoration , in the willing production of superfluity , contributed by the worker
out of his own delight in the work . The elegance of a mathematical equation , the
inevitability of a series of physical inter - relations , the naked quality of the ...
Pagina 449
On the other hand , there is the delight that attends vision and hearing , an
enhancement of the receptive appreciation and assimilation of objects
irrespective of participation in the operations of production . Provided the
difference of the two ...
On the other hand , there is the delight that attends vision and hearing , an
enhancement of the receptive appreciation and assimilation of objects
irrespective of participation in the operations of production . Provided the
difference of the two ...
Pagina 456
An Anthology Melvin Miller Rader. e 5 DE 2 tig 2 as fine art : the production of
buildings in the name of the art of architecture ; of pictures in the name of the art
of painting ; of novels , dramas , etc . , in the name of literary art ; a production
which ...
An Anthology Melvin Miller Rader. e 5 DE 2 tig 2 as fine art : the production of
buildings in the name of the art of architecture ; of pictures in the name of the art
of painting ; of novels , dramas , etc . , in the name of literary art ; a production
which ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole