A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 168
... Pure images ! But to nourish oneself upon pure images is called by a name of little honor , " to dream , " and there is usually added to this the epithet of " idle . " It is a very insipid and inconclusive thing ; can it ever be art ...
... Pure images ! But to nourish oneself upon pure images is called by a name of little honor , " to dream , " and there is usually added to this the epithet of " idle . " It is a very insipid and inconclusive thing ; can it ever be art ...
Pagina 230
... pure form . " In proportion as art becomes purer , " he writes , " the number of people to whom it appeals gets less . It cuts out all the romantic overtones of life which are the usual bait by which men are induced to accept a work of ...
... pure form . " In proportion as art becomes purer , " he writes , " the number of people to whom it appeals gets less . It cuts out all the romantic overtones of life which are the usual bait by which men are induced to accept a work of ...
Pagina 284
... Pure form to the detriment of representational fidelity , or representational fidelity to the detriment of pure form -both are esthetically mistaken ; for both tend to suppress an essential factor of the artistic appeal . -The Esthetic ...
... Pure form to the detriment of representational fidelity , or representational fidelity to the detriment of pure form -both are esthetically mistaken ; for both tend to suppress an essential factor of the artistic appeal . -The Esthetic ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words