A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 192
... question takes us , I believe , to the precise root and source of the whole principle of esthetic expressiveness . · We should begin , I am convinced , from the very sim- plest facts . Why do artists make different patterns , or treat ...
... question takes us , I believe , to the precise root and source of the whole principle of esthetic expressiveness . · We should begin , I am convinced , from the very sim- plest facts . Why do artists make different patterns , or treat ...
Pagina 249
... question . For our immediate purpose we have to discover only what quality is common to objects that do move us as works of art . In the last part of this chapter , when I try to answer the question- " Why are we so profoundly moved by ...
... question . For our immediate purpose we have to discover only what quality is common to objects that do move us as works of art . In the last part of this chapter , when I try to answer the question- " Why are we so profoundly moved by ...
Pagina 439
... question " Will it pay ? " Is it not true that when they begin to win worldly success , when they become comparatively rich , in spite of ourselves they seem to us tainted by the contact with the commercial world ? Need I speak of great ...
... question " Will it pay ? " Is it not true that when they begin to win worldly success , when they become comparatively rich , in spite of ourselves they seem to us tainted by the contact with the commercial world ? Need I speak of great ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words