A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 33
... reason the feelings which arise in them while they listen to the story have in part an actual character . By sad happenings they are moved to tears ; by joyous ones they are aroused to the greatest pleasure . But they do not stop very ...
... reason the feelings which arise in them while they listen to the story have in part an actual character . By sad happenings they are moved to tears ; by joyous ones they are aroused to the greatest pleasure . But they do not stop very ...
Pagina 225
... reason will produce classic forms which will conform so closely to life that any of the exigencies of reason which might not accommodate themselves will be self - condemned . This does not mean that reason will give up the constant ...
... reason will produce classic forms which will conform so closely to life that any of the exigencies of reason which might not accommodate themselves will be self - condemned . This does not mean that reason will give up the constant ...
Pagina 472
... reason of its variety , an enemy to the endurance of the organism . The pattern of the higher organism has retreated into the recesses of the individualized activity . It has become a uniform way of dealing with circumstances ; and this ...
... reason of its variety , an enemy to the endurance of the organism . The pattern of the higher organism has retreated into the recesses of the individualized activity . It has become a uniform way of dealing with circumstances ; and this ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole