A Modern Book of Esthetics: An Anthology |
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Pagina xxix
... notices its position on the bush , its contrast in color with the green of the bush
and the brown of the soil ; the relation of ... blue sky overhead ; and consequently
the value of the rose , for him , is determined by this rich complexity of relations .
... notices its position on the bush , its contrast in color with the green of the bush
and the brown of the soil ; the relation of ... blue sky overhead ; and consequently
the value of the rose , for him , is determined by this rich complexity of relations .
Pagina 247
In each , lines and colors combined in a particular way , certain forms and
relations of forms , stir our esthetic emotions . These relations and combinations
of lines and colors , these esthetically moving forms , I call “ Significant Form " ;
and ...
In each , lines and colors combined in a particular way , certain forms and
relations of forms , stir our esthetic emotions . These relations and combinations
of lines and colors , these esthetically moving forms , I call “ Significant Form " ;
and ...
Pagina 271
JUTA ) da WO at the relations , and that the more complex the relations of which
we are able to recognize the inevitable interdependence and correspondence ,
the greater is the pleasure ; this of course will come very near to the pleasure ...
JUTA ) da WO at the relations , and that the more complex the relations of which
we are able to recognize the inevitable interdependence and correspondence ,
the greater is the pleasure ; this of course will come very near to the pleasure ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole