A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 66
Pagina xxix
... relation of the bush and the garden to the gray wall behind and the blue sky overhead ; and conse- quently the value of the rose , for him , is determined by this rich complexity of relations . Similarly Santayana re- marks of a musical ...
... relation of the bush and the garden to the gray wall behind and the blue sky overhead ; and conse- quently the value of the rose , for him , is determined by this rich complexity of relations . Similarly Santayana re- marks of a musical ...
Pagina 271
An Anthology Melvin Miller Rader. relations , and that the more complex the relations of which we are able to ... relation of an emotional sig- nificance in time and space . Or it may be that art really calls up , as it were , the ...
An Anthology Melvin Miller Rader. relations , and that the more complex the relations of which we are able to ... relation of an emotional sig- nificance in time and space . Or it may be that art really calls up , as it were , the ...
Pagina 320
... relation of such a kind . On the con- trary , it describes a personal relation , often highly emo- tionally colored , but of a peculiar character . Its peculiar- ity lies in that the personal character of the relation has been , so to ...
... relation of such a kind . On the con- trary , it describes a personal relation , often highly emo- tionally colored , but of a peculiar character . Its peculiar- ity lies in that the personal character of the relation has been , so to ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words