A Modern Book of Esthetics: An Anthology |
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Pagina xxix
... the bush and the brown of the soil ; the relation of the bush and the garden to the gray wall behind and the blue sky overhead ; and consequently the value of the rose , for him , is determined by this rich complexity of relations .
... the bush and the brown of the soil ; the relation of the bush and the garden to the gray wall behind and the blue sky overhead ; and consequently the value of the rose , for him , is determined by this rich complexity of relations .
Pagina 271
relations , and that the more complex the relations of which we are able to recognize the inevitable interdependence and correspondence , the greater is the pleasure ; this of course will come very near to the pleasure derived from the ...
relations , and that the more complex the relations of which we are able to recognize the inevitable interdependence and correspondence , the greater is the pleasure ; this of course will come very near to the pleasure derived from the ...
Pagina 320
In giving preference therefore to the term " impersonal " to describe the relation between the spectator and a work of Art , it is to be noticed that it is not impersonal in the sense in which we speak of the " impersonal " character of ...
In giving preference therefore to the term " impersonal " to describe the relation between the spectator and a work of Art , it is to be noticed that it is not impersonal in the sense in which we speak of the " impersonal " character of ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole