A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 174
... representation , from that which is inferior to it : the spiritual fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is ...
... representation , from that which is inferior to it : the spiritual fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is ...
Pagina 252
... representation is bad in itself ; a realistic form may be as significant , in its place as part of the design , as an abstract . But if a representative form has value , it is as form , not as representation . The repre- sentative ...
... representation is bad in itself ; a realistic form may be as significant , in its place as part of the design , as an abstract . But if a representative form has value , it is as form , not as representation . The repre- sentative ...
Pagina 465
... representation " is much reduced . But what hap- pens is a highly funded and generalized representation of the formal sources of ordinary emotional experience . The same sort of remark is to be made concerning " sig- nificant form " as ...
... representation " is much reduced . But what hap- pens is a highly funded and generalized representation of the formal sources of ordinary emotional experience . The same sort of remark is to be made concerning " sig- nificant form " as ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words