A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 273
... represented . On the appropriateness or unappropriateness of the formal emo- tion depends the whole color and feeling of our recogni- tion . Indeed , the fact that our recognition is more than a mere identifying and naming of the object ...
... represented . On the appropriateness or unappropriateness of the formal emo- tion depends the whole color and feeling of our recogni- tion . Indeed , the fact that our recognition is more than a mere identifying and naming of the object ...
Pagina 282
... represented object there enters a host of component elements . The represented object which here goes into the crucible is not just woman in general , but this particular woman with the bodily characteristics with which she is depicted ...
... represented object there enters a host of component elements . The represented object which here goes into the crucible is not just woman in general , but this particular woman with the bodily characteristics with which she is depicted ...
Pagina 353
... represented in the traditional picture , we might live in the imagination . Many Englishmen have fallen in love with Mona Lisa . With things represented in the new pictures , it is impos- sible to live : on stripping them of their ...
... represented in the traditional picture , we might live in the imagination . Many Englishmen have fallen in love with Mona Lisa . With things represented in the new pictures , it is impos- sible to live : on stripping them of their ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words