A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 109
... result of the healthful influence exercised by the con- templation of objective reality in the finished work of art . Such an influence is unmistakable in the most illustrious instance of artistic production as a life - preserving expe ...
... result of the healthful influence exercised by the con- templation of objective reality in the finished work of art . Such an influence is unmistakable in the most illustrious instance of artistic production as a life - preserving expe ...
Pagina 288
... result of the fusion of these two factors . The ego unconsciously supposes it- self at one with the object , and ... results from this interpenetration . So completely is the self transported into the object that the contemplator of a ...
... result of the fusion of these two factors . The ego unconsciously supposes it- self at one with the object , and ... results from this interpenetration . So completely is the self transported into the object that the contemplator of a ...
Pagina 473
... result of scientific materialism , and partly the result of the abstractions of political econ- omy . An illustration of my point is to be found in Ma- caulay's essay criticizing Southey's Colloquies on Society . It was written in 1830 ...
... result of scientific materialism , and partly the result of the abstractions of political econ- omy . An illustration of my point is to be found in Ma- caulay's essay criticizing Southey's Colloquies on Society . It was written in 1830 ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words