A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 238
... rhythm may seem to be opposed to balance . Yet an analysis of rhythm shows it to be built upon the two funda- mental esthetic forms , thematic repetition and balance . For what are the typical characteristics of rhythm ? Every rhythm is ...
... rhythm may seem to be opposed to balance . Yet an analysis of rhythm shows it to be built upon the two funda- mental esthetic forms , thematic repetition and balance . For what are the typical characteristics of rhythm ? Every rhythm is ...
Pagina 239
... rhythm of identical and bal- ancing filled and empty spaces , the columns corresponding to the arsis , and the spatial interval to the thesis . Hence when balance seems to be replaced by rhythm , balance is still present , only it is ...
... rhythm of identical and bal- ancing filled and empty spaces , the columns corresponding to the arsis , and the spatial interval to the thesis . Hence when balance seems to be replaced by rhythm , balance is still present , only it is ...
Pagina 241
... rhythm , as when we talk of the rhythm of life , but in such cases rhythm exists in combination with evolution . For there is , of course , a rhythm in all life - birth and death , sleep and waking , activity and repose . And if life be ...
... rhythm , as when we talk of the rhythm of life , but in such cases rhythm exists in combination with evolution . For there is , of course , a rhythm in all life - birth and death , sleep and waking , activity and repose . And if life be ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words