A Modern Book of Esthetics: An Anthology |
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Pagina 359
He maintains that esthetic experience involves a vivid apprehension of the
physiognomy of the object , whose reality is thereby apprehended much more
fully than in scientific experience . Such clarity of vision is achieved when the
whole force ...
He maintains that esthetic experience involves a vivid apprehension of the
physiognomy of the object , whose reality is thereby apprehended much more
fully than in scientific experience . Such clarity of vision is achieved when the
whole force ...
Pagina 373
The purpose for which we looked out in scientific knowledge was practical
mastery of the world for the outer achievements ; we had to know what causes
were connected with what effects . No other kind of truth can help us for this end ;
what ...
The purpose for which we looked out in scientific knowledge was practical
mastery of the world for the outer achievements ; we had to know what causes
were connected with what effects . No other kind of truth can help us for this end ;
what ...
Pagina 376
... the truth of scientific knowledge , for that truth which understands the
immediate reality of the objects . . . . Philosophy , to condense all into one phrase
, has shown that all scientific knowledge leads us away from the real object ,
giving us ...
... the truth of scientific knowledge , for that truth which understands the
immediate reality of the objects . . . . Philosophy , to condense all into one phrase
, has shown that all scientific knowledge leads us away from the real object ,
giving us ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole