A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 359
... scientific experience . Such clarity of vision is achieved when the whole force of the mind concentrates upon the essence of the object . Attention is not divided between awareness of the object and speculation as to its relations . The ...
... scientific experience . Such clarity of vision is achieved when the whole force of the mind concentrates upon the essence of the object . Attention is not divided between awareness of the object and speculation as to its relations . The ...
Pagina 373
... scientific account with its aiming at connection involves just as many subjective activities as the artistic rendering with its aim towards isolation of the special thing . Whether the one truth is more valuable than the other depends ...
... scientific account with its aiming at connection involves just as many subjective activities as the artistic rendering with its aim towards isolation of the special thing . Whether the one truth is more valuable than the other depends ...
Pagina 376
... scientific knowledge , for that truth which understands the immediate reality of the objects . . Philosophy , to condense all into one phrase , has shown that all scientific knowledge leads us away from the real object , giving us ...
... scientific knowledge , for that truth which understands the immediate reality of the objects . . Philosophy , to condense all into one phrase , has shown that all scientific knowledge leads us away from the real object , giving us ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words