A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 91
... sculpture , painting or architecture - in such a way as to cause its communication with the soul of spectator or auditor ; so often does he produce a work of art the beauty of which will be in exact proportion to the intelligence and ...
... sculpture , painting or architecture - in such a way as to cause its communication with the soul of spectator or auditor ; so often does he produce a work of art the beauty of which will be in exact proportion to the intelligence and ...
Pagina 276
... sculpture and painting strikes and founders . In very recent times there have been attempts at a purely " dynamic " art in which we are asked to apprehend merely the emotion of surfaces , the clash of forces , the strife of line , the ...
... sculpture and painting strikes and founders . In very recent times there have been attempts at a purely " dynamic " art in which we are asked to apprehend merely the emotion of surfaces , the clash of forces , the strife of line , the ...
Pagina 329
... Sculpture , in part through the gross misconceptions to which it is exposed , in part owing to a complete lack of standards of bodily perfection , and an inability to realize the distinction between sculptural form and bodily shape ...
... Sculpture , in part through the gross misconceptions to which it is exposed , in part owing to a complete lack of standards of bodily perfection , and an inability to realize the distinction between sculptural form and bodily shape ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words