A modern book of esthetics: an anthology |
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Pagina 141
1 t - ' , v Finally, the pleasures of sense are distinguished from the perception of
beauty, as sensation in general is distinguished from perception; by the
objectification of the elements and their appearance as qualities rather of things
than of ...
1 t - ' , v Finally, the pleasures of sense are distinguished from the perception of
beauty, as sensation in general is distinguished from perception; by the
objectification of the elements and their appearance as qualities rather of things
than of ...
Pagina 157
Half-way between the passivity of sensation and the activity of imagination is "day
-dreaming" or fancy. It is art only in the making, because it lacks the unity of
genuine intuition. Fancy is too passive; it allows images and sensations to float
lazily ...
Half-way between the passivity of sensation and the activity of imagination is "day
-dreaming" or fancy. It is art only in the making, because it lacks the unity of
genuine intuition. Fancy is too passive; it allows images and sensations to float
lazily ...
Pagina 302
In short, A cannot equal non-A. Empathy means, not a sensation in one's body,
but feeling something, namely, oneself, into the esthetic object. Hitherto I have
assumed that the object of the esthetic contemplation is a human movement, ...
In short, A cannot equal non-A. Empathy means, not a sensation in one's body,
but feeling something, namely, oneself, into the esthetic object. Hitherto I have
assumed that the object of the esthetic contemplation is a human movement, ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology A Modern Book of Esthetics: An Anthology, Melvin Miller Rader |
| Autore | Melvin Miller Rader |
| Editore | Holt, 1951 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 24 mar 2008 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |