A Modern Book of Esthetics: An Anthology |
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Pagina 149
But I confess I am not prepared to hear that such a relatively permanent field of pleasure , without more ado , is the sense of beauty . " Beauty , " the author writes , " is relatively stable , or real pleasure .
But I confess I am not prepared to hear that such a relatively permanent field of pleasure , without more ado , is the sense of beauty . " Beauty , " the author writes , " is relatively stable , or real pleasure .
Pagina 161
And this is certainly possible , for we indeed carry it out always , when , turning from the sense of a poem and ceasing to enjoy it , we set ourselves , for example , to count the words of which the poem is composed and to divide them ...
And this is certainly possible , for we indeed carry it out always , when , turning from the sense of a poem and ceasing to enjoy it , we set ourselves , for example , to count the words of which the poem is composed and to divide them ...
Pagina 461
Without a sense of moving tendencies which are operative in conjunction with a state of fruition , there is appetitive gratification , but nothing that may be termed appreciation . Sense of moving tendencies supplies thrill ...
Without a sense of moving tendencies which are operative in conjunction with a state of fruition , there is appetitive gratification , but nothing that may be termed appreciation . Sense of moving tendencies supplies thrill ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole