A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 119
... sense of the word ) ; since the latter involves no such vigorous exclusion of disturbing elements.2 Thirty years later Santayana contributed an article to The Philosophical Review , in which he revised his earlier account of beauty and ...
... sense of the word ) ; since the latter involves no such vigorous exclusion of disturbing elements.2 Thirty years later Santayana contributed an article to The Philosophical Review , in which he revised his earlier account of beauty and ...
Pagina 149
... sense of beauty . " Beauty , " the author writes , “ is relatively stable , or real pleasure . Any pleasant element may become part of the field that is relatively stable . We call an object beautiful which seems always to yield pleas ...
... sense of beauty . " Beauty , " the author writes , “ is relatively stable , or real pleasure . Any pleasant element may become part of the field that is relatively stable . We call an object beautiful which seems always to yield pleas ...
Pagina 461
... Sense of moving tendencies supplies thrill , stimula- tion , excitation ; sense of completion , consummation , affords composure , form , measure , composition . Emphasize the latter , and appreciation is of the classic type . This type ...
... Sense of moving tendencies supplies thrill , stimula- tion , excitation ; sense of completion , consummation , affords composure , form , measure , composition . Emphasize the latter , and appreciation is of the classic type . This type ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words