A Modern Book of Esthetics: An Anthology |
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Pagina 149
But I confess I am not prepared to hear that such a relatively permanent field of
pleasure , without more ado , is the sense of beauty . " Beauty , " the author writes
, “ is relatively stable , or real pleasure . Any pleasant element may become part ...
But I confess I am not prepared to hear that such a relatively permanent field of
pleasure , without more ado , is the sense of beauty . " Beauty , " the author writes
, “ is relatively stable , or real pleasure . Any pleasant element may become part ...
Pagina 199
a sens ICtry to cut the thought and fancy loose from the body of the stuff in which
it molds its pictures and poetic ideas and ... And I suppose that a great painter , in
his actual handling of his brush , has present with him a sense of meaning and ...
a sens ICtry to cut the thought and fancy loose from the body of the stuff in which
it molds its pictures and poetic ideas and ... And I suppose that a great painter , in
his actual handling of his brush , has present with him a sense of meaning and ...
Pagina 461
Without a sense of moving tendencies which are operative in conjunction with a
state of fruition , there is appetitive gratification , but nothing that may be termed
appreciation . Sense of moving tendencies supplies thrill , stimulation , excitation
...
Without a sense of moving tendencies which are operative in conjunction with a
state of fruition , there is appetitive gratification , but nothing that may be termed
appreciation . Sense of moving tendencies supplies thrill , stimulation , excitation
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole