A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 234
... shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architecture , each style has its characteristic shape ...
... shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architecture , each style has its characteristic shape ...
Pagina 306
... shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking about ourselves , and cease thinking about our- selves exactly in proportion as we are thinking of the moun- tain's shape . What becomes ...
... shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking about ourselves , and cease thinking about our- selves exactly in proportion as we are thinking of the moun- tain's shape . What becomes ...
Pagina 307
... shape to the shape itself ? I am sorry that the matter is by no means so simple ! If what we attributed to each single shape was only the pre- cise action which we happen to be accomplishing in the process of looking at it , Empathy ...
... shape to the shape itself ? I am sorry that the matter is by no means so simple ! If what we attributed to each single shape was only the pre- cise action which we happen to be accomplishing in the process of looking at it , Empathy ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words