A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 253
... significance . If this were so , it would be permissible to inquire whether it was the forms themselves or our ... significance of its own ; that significance is unrelated to the significance of life . In this world the emotions of life ...
... significance . If this were so , it would be permissible to inquire whether it was the forms themselves or our ... significance of its own ; that significance is unrelated to the significance of life . In this world the emotions of life ...
Pagina 262
An Anthology Melvin Miller Rader. human beings , from all its significance as a means , he has felt its significance as an end in itself ? But if an object considered as an end in itself moves us more profoundly ( i.e. , has greater ...
An Anthology Melvin Miller Rader. human beings , from all its significance as a means , he has felt its significance as an end in itself ? But if an object considered as an end in itself moves us more profoundly ( i.e. , has greater ...
Pagina 464
... significance derived from or comparable to the qualities of other experiences ; their signification is hidden and spe- cialized to a degree . Consider some of the terms which are in more or less current use among the critics who carry ...
... significance derived from or comparable to the qualities of other experiences ; their signification is hidden and spe- cialized to a degree . Consider some of the terms which are in more or less current use among the critics who carry ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words