A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 171
... souls were profoundly passionate ( all , even the serene Lodovico Ariosto , who was so amorous , so tender , and so often repressed his emotion with a smile ) ; their works of art are the eternal flower ... soul not yet BENEDETTO CROCE 171.
... souls were profoundly passionate ( all , even the serene Lodovico Ariosto , who was so amorous , so tender , and so often repressed his emotion with a smile ) ; their works of art are the eternal flower ... soul not yet BENEDETTO CROCE 171.
Pagina 172
... soul , from a " sketch " ( as the painters call it ) , from a mo- tive ; and they follow one another and crowd together with- out that precise intonation , without that accent , which comes from the heart . And what is the figure cut ...
... soul , from a " sketch " ( as the painters call it ) , from a mo- tive ; and they follow one another and crowd together with- out that precise intonation , without that accent , which comes from the heart . And what is the figure cut ...
Pagina 181
... souls that are more detached from life . Not with that intentional , logical , systematical detachment - the result of ... soul of an artist such as the world has never yet It would excel alike in every art at the same time ; or rather ...
... souls that are more detached from life . Not with that intentional , logical , systematical detachment - the result of ... soul of an artist such as the world has never yet It would excel alike in every art at the same time ; or rather ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words