A Modern Book of Esthetics: An Anthology |
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Pagina 144
When Othello has discovered his fatal error , and is resolved to take his own life , he stops his groaning , and addresses the ambassadors of Venice thus : Speak of me as I am : nothing extenuate , Nor set down aught in malice : then ...
When Othello has discovered his fatal error , and is resolved to take his own life , he stops his groaning , and addresses the ambassadors of Venice thus : Speak of me as I am : nothing extenuate , Nor set down aught in malice : then ...
Pagina 209
Consequently those senses chiefly regard the beautiful , which are the most cognitive , viz . , sight and hearing , as ministering to reason ; for we speak of beautiful sights and beautiful sounds . But in reference to the other objects ...
Consequently those senses chiefly regard the beautiful , which are the most cognitive , viz . , sight and hearing , as ministering to reason ; for we speak of beautiful sights and beautiful sounds . But in reference to the other objects ...
Pagina 320
In giving preference therefore to the term " impersonal " to describe the relation between the spectator and a work of Art , it is to be noticed that it is not impersonal in the sense in which we speak of the " impersonal " character of ...
In giving preference therefore to the term " impersonal " to describe the relation between the spectator and a work of Art , it is to be noticed that it is not impersonal in the sense in which we speak of the " impersonal " character of ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole