A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 170
... speak to the heart ? And if it do speak to the heart , what is the use if the images be not beautiful ? And the others will say , What is the use of the shock of the passions , if the spirit do not rest upon a beautiful image ? And if ...
... speak to the heart ? And if it do speak to the heart , what is the use if the images be not beautiful ? And the others will say , What is the use of the shock of the passions , if the spirit do not rest upon a beautiful image ? And if ...
Pagina 209
... speak of beautiful sights and beautiful sounds . But in reference to the other objects of the other senses , we do not use the expression beautiful , for we do not speak of beautiful tastes , and beautiful odors . Thus it is evident ...
... speak of beautiful sights and beautiful sounds . But in reference to the other objects of the other senses , we do not use the expression beautiful , for we do not speak of beautiful tastes , and beautiful odors . Thus it is evident ...
Pagina 320
... speak of the " impersonal " character of Science , for instance . In order to obtain " objectively valid " results , the scientist excludes the " personal factor , " i.e. , his personal wishes as to the validity of his results , his ...
... speak of the " impersonal " character of Science , for instance . In order to obtain " objectively valid " results , the scientist excludes the " personal factor , " i.e. , his personal wishes as to the validity of his results , his ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words